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Commissioned by the New Theatre Corporation and
it’s directors, Julius L. Witz, Fielding L. Olivier, and Albert
Shultz, The New Theatre was built in 1912. Designed by T.J.
Collins and Sons, it was created as a venue for vaudeville shows
and silent movies. T.J. Collins, Staunton’s premier architect of
the era, came out of retirement to assist his sons on the design
for the building. It was their last collaboration.
The theatre’s classic exterior design was in the
Italian Renaissance Revival style inspired by Renaissance era
palazzos in Florence. The richly ornamented interior featured
ornate, gilded sculptural plasterwork, and two balconies with box
seats on either side of the stage. It was one of the most
state-of-the art theatres in Virginia at that time. The New
Theatre opened on June 16, 1913 providing a combination of live
entertainment and film.
Warner Brothers began leasing the New Theatre
during the mid-1920’s, and it became one of the first theatres in
Virginia to be wired for sound. This was done in order to show
Warner’s revolutionary new talking picture, “The Jazz Singer” in
1927. Warner Brothers purchased the theatre and The New Theatre
Corporation was dissolved on December 20, 1934.
A disastrous fire on January 23, 1936, destroyed
the ornate interior and the third floor of the building. To
rebuild the theater, Warner Brothers turned to renowned New York
architect,
John Eberson, often referred to as the “Dean of
American Theatre Architects.” Eberson was best known for his
atmospheric theaters of the 1920’s, designs that evoked exotic
styles and sported lavish interiors that would visually transport
the visitor into a fantasy world. By the time of the rebuilding of
Staunton’s theater, however, the Depression has brought about the
end of lavish movie palaces.
A New Design: the wedding of
two eras
Fortunately for the New Theatre,
John Eberson was noted for being able to blend the ornate
beauty of the classic movie palace with the marvelous colors and
sleekness of the Art Moderne style. He ingeniously preserved the
old craftsmanship of the exterior while adding a new art form to
the façade of the building. Arched windows were filled with
stunning stylized floral motifs created with decorative tiles, a
new box office added and flanking doors converted to display
boxes.
In keeping with the flat roof design that he
favored, Eberson chose not to rebuild the third floor, which had
been the most seriously damaged by the fire. He mounted a
prow-like marquee above the front doors, and combined this
projection with a vertical sign (now missing), which rose from the
horizontal parapet and curled back on to the roof. He also made
use of his trademark “speed stripes” with rounded corners in the
building’s interior.
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| With the new look came a new name.
Warner Brothers sponsored a contest for choosing a name for the
newly renovated theatre. Fourteen-year-old Mildred Klotz won the
$50 prize for suggesting the winning name Dixie. The rebuilt
theater reopened in December 1936 and has been showing films ever
since. In 1981, the interior was reconfigured into a four-screen
movie house, taking care that it could be restored to a single
theater in the future. In 2000, the Dixie
Theatre was bought and incorporated as the New Dixie Theatre,
Inc., a 501 (c) (3) entity to fund the restoration and renovation
of the building. In January 2003 the building was sold to a
Limited Partnership, the New Theatre LP, in order to be eligible
for historic tax credits. The non-profit’s operational name was
changed to the Staunton Performing Arts Center, which is governed
by a Board of Directors. The Dixie will continue to operate as a
four-plex theater until fundraising to renovate and restore it is
complete.
And now, the future… |